Filtering by: The Arts

May Amnesia Never Kiss Us On The Mouth: A Conversation w/ Ruanne Abou-Rahme + Basel Abbas
Apr
26
12:00 PM12:00

May Amnesia Never Kiss Us On The Mouth: A Conversation w/ Ruanne Abou-Rahme + Basel Abbas

Join us for an online conversation with Palestinian artists Ruanne Abou-Rahme and Basel Abbas. We will discuss their project "May amnesia never kiss us on the mouth" which examines how people are witness to and narrate experiences of violence, loss, erasure, displacement, and forced migration through performance. The conversation will also address Ruanne and Basel’s wider art practice which is at the intersection of performativity, political imaginaries, the body and virtuality.

View “May Amnesia Never Kiss Us On The Mouth” here.

This conversation is the opening event in a series of talks, events and exhibitions jointly organized by the Center for Middle East Studies, Brown and the Middle East Institute, Columbia University to explore art, gender and body politics in relation to the Middle East and its diasporas. This session with Ruanne and Basil is co-sponsored by the Center for Palestine Studies, Columbia University. Read more about the series here.

Panelists
Ruanne Abou-Rahme and Basel Abbas
Nadje Al-Ali
Kathryn Spellman Poots

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Closing Event for Palestinian Voices Library Display
Apr
1
11:00 AM11:00

Closing Event for Palestinian Voices Library Display

On Friday, April 1st at 11AM, the Empirical Reasoning Center will be hosting a closing event for the Palestinian Voices Library Display in collaboration with the Barnard College Library! This event will feature Nas Abd Elal CC'20, who is an information designer at Visualizing Palestine.

This event will be held in person, in the ERC computer lab in Milstein 102. The event is cosponsored by the Center for Palestine Studies at Columbia.

About the Palestinian Voices Library Display
Co-sponsored by Columbia's Center for Palestine Studies, The Barnard Library's Palestinian Voices display centers and amplifies Palestinian voices in writing, art, and film. The digital display, launched on February 8th on the second floor of the Milstein Center, features a range of works by Palestinian creators, among them documentary film, poetry, graphic novels, oral history, and critical theory. A group of Barnard students, faculty, staff, and community members generously offered recommendations for featured titles on display. Most featured items will continue to be available for checkout from Barnard and other Columbia libraries. The digital display will close on April 10.

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Parallax Haifa
Mar
2
1:00 PM13:00

Parallax Haifa

Click the image to view Parallax Haifa

Stories of Everyday Parallel Spaces and Times
Parallax Haifa is a project by Lama Suleiman in development since 2018, that explores how Palestinians bear witness to and narrate their experiences of the past Palestinian urban landscape of Haifa before the Nakba. It is an audio collage of narratives of the city that wander through an as-of-yet unexplored territory of Palestinian history and landscape; to recover a lost and unaccounted time and place. It is a collage of factual, archival, fictional, and sensory experiences of the Palestinian city, constructed into a speculative narrative of the past. It offers but one of multiple possible versions of that past; probing questions about the power of historical writing in crafting realities – whether past, present, or future.

By combining different and overlapping spatial, temporal, and literary methods into a correlative procedure of mapping and collage, the landscape of Haifa is traversed as a string of journeys, experiences, encounters, and meeting-points assembled from fragments of narratives. Using a fragmentary and speculative narrative that mimics the spatio-temporality common to disrupted landscapes and histories of rupture, this narrative collage dissolves characters, narrators, and their divergent focalisations.

Parallax is the displacement of objects, stories and timelines through shifting between different points of view and narrators. “These differentiated and shifting perspectives become a means of moving between stories and exploring multiple selves that haunt the streets” (Pinder, 2001:5-6)

The stories that make up this project take place sometime between 1926 and 1936. Together, they have been collaged to create a story that transcends chronology and geography. It is a fragmentary narrative of multiple stories of men and women walking the streets of Haifa, whose journeys extend across space and time and collate with the streets of Jaffa, Jerusalem, Beirut, Damascus, Baghdad, and Cairo. Its beginning and end are incidental, its structure is merely one way of telling this story, its characters only a few from amongst numerous others whose stories have not yet been told.

The narrative is guided by the landscape itself (the stories have been collaged together intersecting at real locations. These narratives are mapped across various locations in Haifa. See complete map), led by the winding of the streets, connected by crossroads and T-junctions, and left to unravel inadvertently in the city squares (unconditioned by the intentions of the writer(s), or of the narrators); lives taking place in parallel spaces and parallel times, passers-by whose trajectories intersect at sporadic moments, in narrative plots and character collisions. It combines fiction and memoir to construct a continuous landscape of unceasing movement and change – a meticulously-mapped physical (factual) landscape that spatialises lived and sensory experiences within a journey through Haifa’s historical streets and buildings as they were in the past.

Speakers
Lama Suleiman is a writer, researcher, cultural critic, and artistic producer based in Haifa, Palestine. Lama has obtained a bachelor’s degree from City University London in Sociology & Media Studies (2013), and a master’s degree in Critical Sociology from Ben Gurion University (2020) – both with high distinction. As a researcher Suleiman specialises in Arab modern history of the Middle East, specifically in studying the phenomenology of everyday life in urban landscapes in pre-Nakba Palestine. Since 2017 she has been developing a vast historical and archival research that she has recently begun to expand into screenwriting. Suleiman is a published writer and cultural critic, her most notable publications deal with the concept of Arab-futurism and contemporary Arab cultural development, policy, and activism. In addition, Suleiman has also had experience in art curation, working on numerous exhibitions dealing with life in the public realm, the digital realm, and the realm of dreams.

Nadine Fattaleh is a Palestinian writer and researcher from Amman. Her work focuses on spatial practices through cartography and film. She previously worked on projects at the Center for Spatial Research, Studio-X Amman, and MMAG Foundation, Amman. Nadine is currently the OSUN Fellow in Human Rights and the Arts at Bard College. Nadine received a B.A. in Middle East, South Asian and African Studies from Columbia University, and a M.S. in Critical, Curatorial and Conceptual Practices in Architecture at Columbia GSAPP.


Parallax Haifa Project Credits
*Created by: Lama Suleiman
*Narrated by: Laila Hallaq & Adam Haj Yahia
*Sound design: Adi Haddad
*Website developer: Saleem Diab
*Illustrations by: Nasreen Abd Elal
*Cartographic data was created with the generous assistance of Nadine Fattaleh & Palestine Open Maps.
*Special thanks to Lifta Volumes & the Center for Palestine Studies – Columbia University, for all their help and support in realising this project.

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Producing for Radio
Feb
9
1:00 PM13:00

Producing for Radio

A conversation with Paola Cossermelli Messina and Scott RC Levy, two practitioners at the intersection of theatre and sound arts, about what it means to tell stories for radio, from design to production.

Opening remarks by Brinkley Messick and Q&A session moderated by Tom Casserly.

From arts professionals looking to expand to a new medium to arts aficionados interested in hearing how radio plays are made, this seminar, discussion, and Q+A will provide an opportunity for everyone to learn something new.

Speakers
Paola Cossermelli Messina
is a PhD candidate in Ethnomusicology at Columbia University in the early stages of her dissertation exploring music, identity and diaspora in and between Lebanon and Brazil. She holds a B.A. in Music and Writing from Sarah Lawrence College and an M.A. in Media Studies from The New School, with a specialization in sound. Her Master's thesis on the oral histories of Iranian women musicians was awarded a Middle East Studies Association's Graduate Student Paper Prize in 2016. Her most recent thesis and project, an experimental ethnography on a jukebox in a lesbian bar, was presented at Harvard's 2021 Graduate Music Forum. A sound designer and audio engineer by trade, she has worked in film and podcasts, and for the past 5 years has produced and edited the Arab Studies Institute's podcast الوضع. She teaches audio workshops at Sarah Lawrence College and, prior to pursuing her PhD, was the Project Manager for CUNY-Creative Arts Team's program Sound Thinking NYC, a free summer intensive for NYC high schoolers interested in careers in music production and audio engineering. She has been a Mason Endowed Fellow (2020-21) and was selected by the Society of Fellows and Heyman Center for the Humanities and the Center for Palestine Studies at Columbia University as the 2021-22 Public Humanities Radio Play Fellow.

Scott RC Levy is an award-winning and acclaimed artistic director, producer, director, actor and educator. He is currently the Executive Director of Green Box Arts in Green Mountain Falls. He served as the Producing Artistic Director of the Colorado Springs Fine Arts Center Theatre Company for 10 seasons. For his work at the FAC, Levy was awarded multiple Henry Awards (including Best Season of a Theatre Company in Colorado), Pikes Peak Arts Council Awards, and other national recognitions. Before moving to Colorado in 2011, Levy was the Producing Artistic Director of the Penobscot Theatre in Maine. Additionally, he has produced, directed and/or performed on, off and off-off Broadway, for the New York International Fringe Festival, at Shakespeare’s Globe in London, the Edinburgh Fringe Festival in Scotland, and in over 60 cities across North America. He has taught for several institutions including: University of Colorado, New York University, the Playwrights Horizons Theater School, the Guggenheim Museum and the University of Maine. Levy holds a BFA in Acting and a Master’s in Educational Theatre, both from New York University. He is a member of Actor’s Equity Association, and serves on the boards of the Cultural Office of the Pikes Peak Region and the Colorado Theatre Guild.

Moderator
Tom Casserly is a New York-based theatre producer and current MIA Candidate at Columbia University's School of International and Public Affairs. He is the Executive Producer of the Center’s NO PLACE | LA MAKAN | لا مكان program and the co-founder of the annual Youmein Creative Media Festival in Tangier, Morocco.

Introductory Remarks
Brinkley Messick is Professor of Anthropology and of Middle Eastern, South Asian and African Studies at Columbia University. He is the author of The Calligraphic State (1993), which was awarded the Albert Hourani Prize of the Middle Eastern Studies Association, and Shariʿa Scripts: A Historical Anthropology (2018). Brink was a founding Co-Director of the Center for Palestine Studies (2010-15), and is the Director of the Middle East Institute at Columbia.


NO PLACE | LA MAKAN | لا مكان is a project of the Center for Palestine Studies produced in partnership with the A. M. Qattan Foundation, with support from Taawon, The Tides Foundation, and the Society of Fellows and Heyman Center for the Humanities at Columbia University.

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Generic Specificities: A lecture by Elias Anastas + Yousef Anastas of AAU ANASTAS
Feb
7
12:30 PM12:30

Generic Specificities: A lecture by Elias Anastas + Yousef Anastas of AAU ANASTAS

Join GSAPP and CPS for Generic Specificities: An online lecture by Elias Anastas and Yousef Anastas, co-founders of AAU ANASTAS with a response by Ziad Jamaleddine, Assistant Professor at GSAPP and co-founder and partner of L.E.FT Architects.

Born into a family of architects, Elias and Yousef Anastas graduated from Paris with masters degrees in architecture and both worked there for a while. Elias returned to Bethlehem after winning a competition for a music conservatory while Yousef graduated from Paris with a second Masters in structural engineering. They founded Local Industries in 2012, a community of bold artisans and designers dedicated to industrial furniture-making, and SCALES in 2016, a research department that is constantly enhanced by linking scales that are usually opposed. Their studio’s work brings together architecture practices, furniture making, research projects and cultural initiatives. 

Their most recent works include Qamt, acquired by the Victoria and Albert Museum in London, Radio alHara–a community-based online radio, the Hebron courthouse project, and Stonematters–experimentation-based research onto the possibilities of stone use in contemporary architecture. They are also about to launch The Wonder Cabinet in Bethlehem, a cultural endeavor to create an art production platform bringing together artisans and artists. 

Founded in 1979, AAU Anastas is a wholly-owned Palestinian architectural and engineering practice with offices in Bethlehem and Paris. Thinking of a project as a process is the only common thread running through their work. Beginning the thinking of a project at the opposite end of the planning spectrum, from the bottom up, helps AAU Anastas merge into the deep understanding of local knowledge, and capacities of widening or subverting the initial end result to new uses. They consider the process as a means of minimizing energy consumption between design and realization. Working directly with factories and artisans enables the designers to optimize the energy consumption in function of the resources available and the ambitions. AAU Anastas believes that sustainability is no excuse for sacrifices. Instead, research is a synonym of ambition for a more sustainable, more comfortable, and more interactive design.

Organized by Columbia GSAPP and co-sponsored by the Center for Palestine Studies at Columbia University. Free and open to the public. Virtual events hosted on Zoom Webinar do not require an account to attend, advanced registration is encouraged.

GSAPP is committed to providing universal access to all of our virtual events. Please contact events@arch.columbia.edu to request disability accommodations. Advance notice is necessary to arrange for some accessibility needs.

This event content is equivalent to 1 AIA/CES total learning credit, 1 total credit earned. AIA. Please contact events@arch.columbia.edu for more information.

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