The Endurance of Palestinian Political Factions
Apr
27
11:00 AM11:00

The Endurance of Palestinian Political Factions

Join CPS for a Palestine Library book talk with Perla Issa about her recent publication, The Endurance of Palestinian Political Factions: An Everyday Perspective from Nahr el-Bared Camp (University of California Press, 2021). Rashid Khalidi will moderate the conversation.

The Endurance of Palestinian Political Factions is an ethnographic study of Palestinian political factions in Lebanon through an immersion in daily home life. Perla Issa asks how political factions remain the center of political life in the Palestinian camps in the face of mounting criticism. Through an examination of the daily, mundane practices of refugees in Nahr el-Bared camp in particular, this book shows how intimate, interpersonal, and kin-based relations are transformed into political networks and offers a fresh analysis of how those networks are in turn metamorphosed into political structures. By providing a detailed and intimate account of this process, this book reveals how factions are produced and reproduced in everyday life despite widespread condemnation.
Read more.

Perla Issa is a researcher at the Institute for Palestine Studies in Beirut, Lebanon.

Rashid Khalidi is the Edward Said Professor of Modern Arab Studies at Columbia University.

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May Amnesia Never Kiss Us On The Mouth: A Conversation w/ Ruanne Abou-Rahme + Basel Abbas
Apr
26
12:00 PM12:00

May Amnesia Never Kiss Us On The Mouth: A Conversation w/ Ruanne Abou-Rahme + Basel Abbas

Join us for an online conversation with Palestinian artists Ruanne Abou-Rahme and Basel Abbas. We will discuss their project "May amnesia never kiss us on the mouth" which examines how people are witness to and narrate experiences of violence, loss, erasure, displacement, and forced migration through performance. The conversation will also address Ruanne and Basel’s wider art practice which is at the intersection of performativity, political imaginaries, the body and virtuality.

View “May Amnesia Never Kiss Us On The Mouth” here.

This conversation is the opening event in a series of talks, events and exhibitions jointly organized by the Center for Middle East Studies, Brown and the Middle East Institute, Columbia University to explore art, gender and body politics in relation to the Middle East and its diasporas. This session with Ruanne and Basil is co-sponsored by the Center for Palestine Studies, Columbia University. Read more about the series here.

Panelists
Ruanne Abou-Rahme and Basel Abbas
Nadje Al-Ali
Kathryn Spellman Poots

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Post-justice, Exceptionalism, and the Normalization of Apartheid
Apr
13
12:00 PM12:00

Post-justice, Exceptionalism, and the Normalization of Apartheid

Join Scientists for Palestine, the Bisan Center for Research and Development and the Center for Palestine Studies for the second session of the Bisan Lecture Series (BSL) with Honaida Ghanim (Birzeit University).

The post-justice concept is introduced here to theorize the normalization of oppression, dispossession, and Israeli Apartheid. Post-justice is a state of indifference in which the distinction between right and wrong, or good and evil is irrelevant to politics. Because post-justice is a product of unequal power relations and rest oriental racism toward the Palestinian, it facilitates colonization and apartheid through various tools that emphasize the “exceptionalism” of the colonizer. Honaida Ghanim draws examples from the ongoing official subjugation of Palestinians, the privatization of colonization in East Jerusalem and mixed cities, settler violence in the West Bank, the enactment of the nation-state law, in parallel to the Israeli international relations expansion.

Speaker
Honaida Ghanim is Director of the Palestinian Forum for Israeli Studies “MADAR” and Visiting Professor at Birzeit University. Read more.

About the Bisan Lecture Series (BLS)
The Bisan Lecture Series aims at the full integration of Palestine into the global learning community. It sponsors discourses on subjects of cultural, scientific, and societal importance by leading research experts and public intellectuals of varied heritage and viewpoints. The interactive webinars are free and open to the public, and recordings of each will be posted soon afterward. The BSL will take place every second Wednesday of the month at 12:00 US Eastern Time / 19:00 Palestine Time / 18:00 Central European Time during the academic year.

The Bisan Center for Research and Development which sponsors the Series and which gives it its name, is a non-governmental, nonprofit, democratic and progressive Civil Society Organization (CSO) that seeks to enhance Palestinian abilities and potentials for building an active civil and democratic community. It is one of the six prominent Palestinian civil society organizations designated as “terrorist organizations” by the Israeli Defense Minister on October 19, 2021. This baseless defamatory accusation targets organizations recognized for their professionalism and competence in the field of human rights through research, exchanges, advocacy and training activities.

For more information about the designation and it’s implications on the work of the six organizations, watch the recording of Conflating Human Rights Advocacy with Terrorism, an event hosted by the Center for Palestine Studies in fall 2021.

For more information about the Series and the Bisan Center for Research and Development, click here.

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Closing Event for Palestinian Voices Library Display
Apr
1
11:00 AM11:00

Closing Event for Palestinian Voices Library Display

On Friday, April 1st at 11AM, the Empirical Reasoning Center will be hosting a closing event for the Palestinian Voices Library Display in collaboration with the Barnard College Library! This event will feature Nas Abd Elal CC'20, who is an information designer at Visualizing Palestine.

This event will be held in person, in the ERC computer lab in Milstein 102. The event is cosponsored by the Center for Palestine Studies at Columbia.

About the Palestinian Voices Library Display
Co-sponsored by Columbia's Center for Palestine Studies, The Barnard Library's Palestinian Voices display centers and amplifies Palestinian voices in writing, art, and film. The digital display, launched on February 8th on the second floor of the Milstein Center, features a range of works by Palestinian creators, among them documentary film, poetry, graphic novels, oral history, and critical theory. A group of Barnard students, faculty, staff, and community members generously offered recommendations for featured titles on display. Most featured items will continue to be available for checkout from Barnard and other Columbia libraries. The digital display will close on April 10.

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Rethinking Statehood in Palestine: Self-Determination and Decolonization Beyond Partition
Mar
23
1:00 PM13:00

Rethinking Statehood in Palestine: Self-Determination and Decolonization Beyond Partition

Join CPS for a book talk with Leila Farsakh, editor of Rethinking Statehood in Palestine: Self-Determination and Decolonization Beyond Partition, published by University of California Press (2021).

Introduction and moderation by Timothy Mitchell.

About Rethinking Statehood in Palestine
The quest for an inclusive and independent state has been at the center of the Palestinian national struggle for a very long time. This book critically explores the meaning of Palestinian statehood and the challenges that face alternative models to it. Giving prominence to a young set of diverse Palestinian scholars, this groundbreaking book shows how notions of citizenship, sovereignty, and nationhood are being rethought within the broader context of decolonization. Bringing forth critical and multifaceted engagements with what modern Palestinian self-determination entails, Rethinking Statehood sets the terms of debate for the future of Palestine beyond partition. Read more.

Leila Farsakh is Associate Professor of Political Science at the University of Massachusetts Boston. She researches the political economy of development, with specific focus on the Middle East region and the Arab/Israeli conflict. She is author of Palestinian Labor Migration to Israel: Labour, Land and Occupation and coeditor of The Arab and Jewish Questions: Geographies of Engagement in Palestine and Beyond. Read more.

Timothy Mitchell is William B Ransford Professor of Middle Eastern, South Asian and African Studies at Columbia University. He is a political theorist and historian. His areas of research include the place of colonialism in the making of modernity, the material and technical politics of the Middle East, and the role of economics and other forms of expert knowledge in the government of collective life. Read more.

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The Best of Hard Times: Palestinian Refugee Masculinities in Lebanon
Mar
11
2:00 PM14:00

The Best of Hard Times: Palestinian Refugee Masculinities in Lebanon

Join CPS and the Center for Gender and Sexuality Law for a conversation with Dr. Gustavo Barbosa and Maya Mikdashi (Rutgers University) about Barbosa’s new book, The Best of Hard Times: Palestinian Refugee Masculinities in Lebanon (Syracuse University Press, 2021). Introduction by Brinkley Messick.

The Best of Hard Times explores the gendered identities of two generations of men in the Shatila Palestinian refugee camp in Beirut. Gustavo Barbosa compares the fida’iyyin, the men who served as freedom fighters to reconquer Palestine in the 1970s, to the shabab, their sons who lead seemingly mundane lives with limited access to power. While the fida’iyyinn displayed their masculinity through active resistance and fighting to return to their homeland, the shabab have a more nuanced relationship to Palestine and articulate their gender belonging in alternative ways.

Through vivid ethnographic stories, Barbosa critically engages with certain trends in feminism, calling attention to their limits and considering nimble views on gender. Instead of presenting the shabab as emasculated or experiencing a crisis of masculinity, the book shows the pliability of masculinity in time and space and argues that “gender” has limited purchase to capture the experiences of today’s youth from Shatila. Based on two years of fieldwork, The Best of Hard Times answers the burgeoning demand for anthropological literature on Arab masculinities and portrays refugees as inventive actors rather than agentless victims of circumstances beyond their control. The Best of Hard Times is a tour de force combining highbrow theory with gripping ethnography, challenging many of the stereotypes on gender, power, statehood, and the role of Islam in the Middle East.

Receive 40% off with discount code 05BEST22 when you purchase The Best of Hard Times from Syracuse University Press before April 15, 2022.

PANELISTS
Gustavo Barbosa
in an Associate Researcher at the Center for Middle Eastern Studies at Universidade Federal Fluminense, in Rio de Janeiro. He holds a PhD in Anthropology from the LSE, MScs in Anthropology from the LSE and Museu Nacional and BScs in Diplomacy, Social Sciences and Journalism. He has published a number of articles in Portuguese and English in specialised journals and edited volumes. His book The Best of Hard Times - Palestinian Refugee Masculinities in Lebanon was published in January 2022 by Syracuse University Press. His academic interests lie in political and medical anthropology, gender, masculinities, refugees, hope and new reproductive technologies. His webpage is gustavo-barbosa.com.

Maya Mikdashi is an Assistant Professor at the Department of Women’s and Gender Studies and a lecturer in the program in Middle East Studies at Rutgers University, New Brunswick. Maya is an anthropologist (PhD Columbia University, 2014) who is deeply engaged in ethnographic, legal, and archival theory and methodology. She currently is completing a book manuscript that examines the war on terror, sexual difference, secularism, and state power in the contemporary Middle East from the vantage point of Lebanon. More info.

Brinkley Messick is Professor of Anthropology and of Middle Eastern, South Asian and African Studies at Columbia University. He is the author of The Calligraphic State (1993), which was awarded the Albert Hourani Prize of the Middle Eastern Studies Association, and Shariʿa Scripts: A Historical Anthropology (2018). Brink was a founding Co-Director of the Center for Palestine Studies (2010-15), and is the Director of the Middle East Institute at Columbia.

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The Virology of Ideas—An Indispensable Pandemic
Mar
9
12:00 PM12:00

The Virology of Ideas—An Indispensable Pandemic

Join Scientists for Palestine, the Bisan Center for Research and Development and the Center for Palestine Studies for the inaugural session of the Bisan Lecture Series (BSL) with George Smith (University of Missouri).

The Virology of Ideas—An Indispensable Pandemic
Abstract: “Ideas” (cultural innovations) are likened to viruses that proliferate through community infection, being subject to massive random variation and ruthless natural selection as they spread. “Variants of interest”—extremely rare cultural Omicrons—emerge unpredictably from global communities; they’re not the intellectual property of individual brains. Individual brains’ contributions depend on their residence in a global “ideosphere”—the cultural analog of an ecological biosphere. Injury to any part of the global cultural community, such as Israel has inflicted in Palestine, is an injury to the entire global community. Liberation from such injuries is a cultural as much as a political and moral imperative.

Speaker
George Smith is Curators’ Distinguished Professor Emeritus of Biological Sciences at the University of Missouri. He is a Nobel Laureate in Chemistry (2018). Read more.

About the Bisan Lecture Series (BLS)
The Bisan Lecture Series aims at the full integration of Palestine into the global learning community. It sponsors discourses on subjects of cultural, scientific, and societal importance by leading research experts and public intellectuals of varied heritage and viewpoints. The interactive webinars are free and open to the public, and recordings of each will be posted soon afterward. The BSL will take place every second Wednesday of the month at 12:00 US Eastern Time / 19:00 Palestine Time / 18:00 Central European Time during the academic year.

The Bisan Center for Research and Development which sponsors the Series and which gives it its name, is a non-governmental, nonprofit, democratic and progressive Civil Society Organization (CSO) that seeks to enhance Palestinian abilities and potentials for building an active civil and democratic community. It is one of the six prominent Palestinian civil society organizations designated as “terrorist organizations” by the Israeli Defense Minister on October 19, 2021. This baseless defamatory accusation targets organizations recognized for their professionalism and competence in the field of human rights through research, exchanges, advocacy and training activities.

For more information about the designation and it’s implications on the work of the six organizations, watch the recording of Conflating Human Rights Advocacy with Terrorism, an event hosted by the Center for Palestine Studies in fall 2021.

For more information about the Series and the Bisan Center for Research and Development, click here.

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Parallax Haifa
Mar
2
1:00 PM13:00

Parallax Haifa

Click the image to view Parallax Haifa

Stories of Everyday Parallel Spaces and Times
Parallax Haifa is a project by Lama Suleiman in development since 2018, that explores how Palestinians bear witness to and narrate their experiences of the past Palestinian urban landscape of Haifa before the Nakba. It is an audio collage of narratives of the city that wander through an as-of-yet unexplored territory of Palestinian history and landscape; to recover a lost and unaccounted time and place. It is a collage of factual, archival, fictional, and sensory experiences of the Palestinian city, constructed into a speculative narrative of the past. It offers but one of multiple possible versions of that past; probing questions about the power of historical writing in crafting realities – whether past, present, or future.

By combining different and overlapping spatial, temporal, and literary methods into a correlative procedure of mapping and collage, the landscape of Haifa is traversed as a string of journeys, experiences, encounters, and meeting-points assembled from fragments of narratives. Using a fragmentary and speculative narrative that mimics the spatio-temporality common to disrupted landscapes and histories of rupture, this narrative collage dissolves characters, narrators, and their divergent focalisations.

Parallax is the displacement of objects, stories and timelines through shifting between different points of view and narrators. “These differentiated and shifting perspectives become a means of moving between stories and exploring multiple selves that haunt the streets” (Pinder, 2001:5-6)

The stories that make up this project take place sometime between 1926 and 1936. Together, they have been collaged to create a story that transcends chronology and geography. It is a fragmentary narrative of multiple stories of men and women walking the streets of Haifa, whose journeys extend across space and time and collate with the streets of Jaffa, Jerusalem, Beirut, Damascus, Baghdad, and Cairo. Its beginning and end are incidental, its structure is merely one way of telling this story, its characters only a few from amongst numerous others whose stories have not yet been told.

The narrative is guided by the landscape itself (the stories have been collaged together intersecting at real locations. These narratives are mapped across various locations in Haifa. See complete map), led by the winding of the streets, connected by crossroads and T-junctions, and left to unravel inadvertently in the city squares (unconditioned by the intentions of the writer(s), or of the narrators); lives taking place in parallel spaces and parallel times, passers-by whose trajectories intersect at sporadic moments, in narrative plots and character collisions. It combines fiction and memoir to construct a continuous landscape of unceasing movement and change – a meticulously-mapped physical (factual) landscape that spatialises lived and sensory experiences within a journey through Haifa’s historical streets and buildings as they were in the past.

Speakers
Lama Suleiman is a writer, researcher, cultural critic, and artistic producer based in Haifa, Palestine. Lama has obtained a bachelor’s degree from City University London in Sociology & Media Studies (2013), and a master’s degree in Critical Sociology from Ben Gurion University (2020) – both with high distinction. As a researcher Suleiman specialises in Arab modern history of the Middle East, specifically in studying the phenomenology of everyday life in urban landscapes in pre-Nakba Palestine. Since 2017 she has been developing a vast historical and archival research that she has recently begun to expand into screenwriting. Suleiman is a published writer and cultural critic, her most notable publications deal with the concept of Arab-futurism and contemporary Arab cultural development, policy, and activism. In addition, Suleiman has also had experience in art curation, working on numerous exhibitions dealing with life in the public realm, the digital realm, and the realm of dreams.

Nadine Fattaleh is a Palestinian writer and researcher from Amman. Her work focuses on spatial practices through cartography and film. She previously worked on projects at the Center for Spatial Research, Studio-X Amman, and MMAG Foundation, Amman. Nadine is currently the OSUN Fellow in Human Rights and the Arts at Bard College. Nadine received a B.A. in Middle East, South Asian and African Studies from Columbia University, and a M.S. in Critical, Curatorial and Conceptual Practices in Architecture at Columbia GSAPP.


Parallax Haifa Project Credits
*Created by: Lama Suleiman
*Narrated by: Laila Hallaq & Adam Haj Yahia
*Sound design: Adi Haddad
*Website developer: Saleem Diab
*Illustrations by: Nasreen Abd Elal
*Cartographic data was created with the generous assistance of Nadine Fattaleh & Palestine Open Maps.
*Special thanks to Lifta Volumes & the Center for Palestine Studies – Columbia University, for all their help and support in realising this project.

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Celebrating Recent Work by Gil Hochberg: Becoming Palestine
Feb
24
6:15 PM18:15

Celebrating Recent Work by Gil Hochberg: Becoming Palestine

In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential.

Attendance and Registration Policy:
This event is organized by The Society of Fellows and Heyman Center for the Humanities at Columbia University and presented byNew Books in the Arts & Sciences. It is cosponsored by the Center for Palestine Studies, the Middle East Institute, MESAAS and the Office of the Divisional Deans in the Faculty of Arts and Sciences.

The event will take place virtually over Zoom. Registration is required.

Please email 
disability@columbia.edu to request disability accommodations. Advance notice is necessary to arrange for some accessibility needs. This event will be recorded. By being electronically present, you consent to the SOF/Heyman using such video for promotional purposes.

Use code E21HCHBG for 30% off book purchase at Duke University Press.

About the Author
Gil Hochberg is Ransford Professor of Hebrew and Comparative Literature, and Middle East Studies at Columbia University and Chair of MESAAS. Her first book, In Spite of Partition: Jews, Arabs, and the Limits of Separatist Imagination examines the complex relationship between the signifiers “Arab” and “Jew” in contemporary Jewish and Arab literatures and cultural imagination. Her second book, Visual Occupations: Vision and Visibility in a Conflict Zone, is a study of the visual politics of the Israeli-Palestinian terrain and the emergence of a “conflict” or the sight of a conflict.

About the Speakers
Nadia Abu El-Haj is Ann Whitney Olin Professor in the Departments of Anthropology at Barnard College and Columbia University, Co-Director of the Center for Palestine Studies, and Chair of the Governing Board of the Society of Fellows/Heyman Center for the Humanities at Columbia University. Abu El-Haj has published two books: Facts on the Ground: Archaeological Practice and Territorial Self-Fashioning in Israeli Society, which won the Albert Hourani Annual Book Award from the Middle East Studies Association in 2002, and The Genealogical Science: The Search for Jewish Origins and the Politics of Epistemology.

Gayatri Gopinath is an associate professor of Social and Cultural Analysis and director of the Center for the Study of Gender and Sexuality at New York University. Gopinath is perhaps best known for her book Impossible Desires: Queer Diasporas and South Asian Public Cultures, which received article-length reviews in a number of journals.

Brian Larkin is the Director of Graduate Studies and a Professor of Anthropology at Barnard College, Columbia University. His research focuses on the ethnography and history of media in Nigeria. Most broadly he examines the introduction of media technologies into Nigeria—cinema, radio, digital media—and the religious, political, and cultural changes they bring about. Larkin is the author of Signal and Noise: Media Infrastructure and Urban Culture in Nigeria and, with Lila Abu-Lughod and Faye Ginsburg, co-editor of Media Worlds: Anthropology on New Terrain.

Debashree Mukherjee is Assistant Professor at MESAAS at Columbia University. Dr. Mukherjee has published in various academic journals and anthologies, and is a core editor with the peer-reviewed journal, BioScope: South Asian Screen Studies. Trained as a filmmaker, she has worked in Bombay’s film and television industries on projects such as Omkara (dir. Vishal Bhardwaj, 2006). Committed to the missions of public and digital humanities, Dr. Mukherjee has curated exhibitions such as “Maya Mahal” (film ephemera from the Priya Paul collection, 2013) and “A Cinematic Imagination,” (production stills from the Josef Wirsching archive, 2017) and is actively involved with the online film annotation platform www.indiancine.ma. 

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When Politics are Sacralized: Comparative Perspectives on Religious Claims and Nationalism
Feb
14
1:00 PM13:00

When Politics are Sacralized: Comparative Perspectives on Religious Claims and Nationalism

A Conversation with David Lloyd, Nadim N. Rouhana and Nadera Shalhoub-Kevorkian about the recent volume When Politics are Sacralized: Comparative Perspectives on Religious Claims and Nationalism, published by Cambridge University Press in May 2021. Nadia Abu El-Haj will moderate the conversation.

This event is organized by the Center for Palestine Studies and co-sponsored by the Institute for Religion, Culture and Public Life.

About When Politics are Sacralized
Over the years, there have been increasing intersections between religious claims and nationalism and their power to frame and govern world politics. When Politics Are Sacralized interdisciplinarily and comparatively examines the fusion between religious claims and nationalism and studies its political manifestations. State and world politics, when determined or framed by nationalism fused with religious claims, can provoke protracted conflict, infuse explicit religious beliefs into politics, and legitimize violence against racialized groups. This volume investigates how, through hegemonic nationalism, states invoke religious claims in domestic and international politics, sacralizing the political. Studying Israel, India, the Palestinian National Movement and Hamas, Sri Lanka, Saudi Arabia, Serbia, Iran, and Northern Ireland, the thirteen chapters engage with the visibility, performativity, role, and political legitimation of religion and nationalism. The authors analyze how and why sacralization affects political behaviors apparent in national and international politics, produces state-sponsored violence, and shapes conflict. Read more.

Speakers

David Lloyd is Distinguished Professor of English at University of California Riverside. Read more.

Nadim N. Rouhana is Professor of International Affairs and Conflict Studies at Tufts University. Read more.

Nadera Shalhoub-Kevorkian is the Lawrence D. Biele Chair in Law at the Faculty of Law-Institute of Criminology and the School of Social Work and Public Welfare at the Hebrew University of Jerusalem and the Global Chair in Law- Queen Mary University of London. Read more.

Moderator

Nadia Abu El-Haj is Ann Whitney Olin Professor in the Departments of Anthropology at Barnard College and Columbia University. Read more.

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Producing for Radio
Feb
9
1:00 PM13:00

Producing for Radio

A conversation with Paola Cossermelli Messina and Scott RC Levy, two practitioners at the intersection of theatre and sound arts, about what it means to tell stories for radio, from design to production.

Opening remarks by Brinkley Messick and Q&A session moderated by Tom Casserly.

From arts professionals looking to expand to a new medium to arts aficionados interested in hearing how radio plays are made, this seminar, discussion, and Q+A will provide an opportunity for everyone to learn something new.

Speakers
Paola Cossermelli Messina
is a PhD candidate in Ethnomusicology at Columbia University in the early stages of her dissertation exploring music, identity and diaspora in and between Lebanon and Brazil. She holds a B.A. in Music and Writing from Sarah Lawrence College and an M.A. in Media Studies from The New School, with a specialization in sound. Her Master's thesis on the oral histories of Iranian women musicians was awarded a Middle East Studies Association's Graduate Student Paper Prize in 2016. Her most recent thesis and project, an experimental ethnography on a jukebox in a lesbian bar, was presented at Harvard's 2021 Graduate Music Forum. A sound designer and audio engineer by trade, she has worked in film and podcasts, and for the past 5 years has produced and edited the Arab Studies Institute's podcast الوضع. She teaches audio workshops at Sarah Lawrence College and, prior to pursuing her PhD, was the Project Manager for CUNY-Creative Arts Team's program Sound Thinking NYC, a free summer intensive for NYC high schoolers interested in careers in music production and audio engineering. She has been a Mason Endowed Fellow (2020-21) and was selected by the Society of Fellows and Heyman Center for the Humanities and the Center for Palestine Studies at Columbia University as the 2021-22 Public Humanities Radio Play Fellow.

Scott RC Levy is an award-winning and acclaimed artistic director, producer, director, actor and educator. He is currently the Executive Director of Green Box Arts in Green Mountain Falls. He served as the Producing Artistic Director of the Colorado Springs Fine Arts Center Theatre Company for 10 seasons. For his work at the FAC, Levy was awarded multiple Henry Awards (including Best Season of a Theatre Company in Colorado), Pikes Peak Arts Council Awards, and other national recognitions. Before moving to Colorado in 2011, Levy was the Producing Artistic Director of the Penobscot Theatre in Maine. Additionally, he has produced, directed and/or performed on, off and off-off Broadway, for the New York International Fringe Festival, at Shakespeare’s Globe in London, the Edinburgh Fringe Festival in Scotland, and in over 60 cities across North America. He has taught for several institutions including: University of Colorado, New York University, the Playwrights Horizons Theater School, the Guggenheim Museum and the University of Maine. Levy holds a BFA in Acting and a Master’s in Educational Theatre, both from New York University. He is a member of Actor’s Equity Association, and serves on the boards of the Cultural Office of the Pikes Peak Region and the Colorado Theatre Guild.

Moderator
Tom Casserly is a New York-based theatre producer and current MIA Candidate at Columbia University's School of International and Public Affairs. He is the Executive Producer of the Center’s NO PLACE | LA MAKAN | لا مكان program and the co-founder of the annual Youmein Creative Media Festival in Tangier, Morocco.

Introductory Remarks
Brinkley Messick is Professor of Anthropology and of Middle Eastern, South Asian and African Studies at Columbia University. He is the author of The Calligraphic State (1993), which was awarded the Albert Hourani Prize of the Middle Eastern Studies Association, and Shariʿa Scripts: A Historical Anthropology (2018). Brink was a founding Co-Director of the Center for Palestine Studies (2010-15), and is the Director of the Middle East Institute at Columbia.


NO PLACE | LA MAKAN | لا مكان is a project of the Center for Palestine Studies produced in partnership with the A. M. Qattan Foundation, with support from Taawon, The Tides Foundation, and the Society of Fellows and Heyman Center for the Humanities at Columbia University.

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Generic Specificities: A lecture by Elias Anastas + Yousef Anastas of AAU ANASTAS
Feb
7
12:30 PM12:30

Generic Specificities: A lecture by Elias Anastas + Yousef Anastas of AAU ANASTAS

Join GSAPP and CPS for Generic Specificities: An online lecture by Elias Anastas and Yousef Anastas, co-founders of AAU ANASTAS with a response by Ziad Jamaleddine, Assistant Professor at GSAPP and co-founder and partner of L.E.FT Architects.

Born into a family of architects, Elias and Yousef Anastas graduated from Paris with masters degrees in architecture and both worked there for a while. Elias returned to Bethlehem after winning a competition for a music conservatory while Yousef graduated from Paris with a second Masters in structural engineering. They founded Local Industries in 2012, a community of bold artisans and designers dedicated to industrial furniture-making, and SCALES in 2016, a research department that is constantly enhanced by linking scales that are usually opposed. Their studio’s work brings together architecture practices, furniture making, research projects and cultural initiatives. 

Their most recent works include Qamt, acquired by the Victoria and Albert Museum in London, Radio alHara–a community-based online radio, the Hebron courthouse project, and Stonematters–experimentation-based research onto the possibilities of stone use in contemporary architecture. They are also about to launch The Wonder Cabinet in Bethlehem, a cultural endeavor to create an art production platform bringing together artisans and artists. 

Founded in 1979, AAU Anastas is a wholly-owned Palestinian architectural and engineering practice with offices in Bethlehem and Paris. Thinking of a project as a process is the only common thread running through their work. Beginning the thinking of a project at the opposite end of the planning spectrum, from the bottom up, helps AAU Anastas merge into the deep understanding of local knowledge, and capacities of widening or subverting the initial end result to new uses. They consider the process as a means of minimizing energy consumption between design and realization. Working directly with factories and artisans enables the designers to optimize the energy consumption in function of the resources available and the ambitions. AAU Anastas believes that sustainability is no excuse for sacrifices. Instead, research is a synonym of ambition for a more sustainable, more comfortable, and more interactive design.

Organized by Columbia GSAPP and co-sponsored by the Center for Palestine Studies at Columbia University. Free and open to the public. Virtual events hosted on Zoom Webinar do not require an account to attend, advanced registration is encouraged.

GSAPP is committed to providing universal access to all of our virtual events. Please contact events@arch.columbia.edu to request disability accommodations. Advance notice is necessary to arrange for some accessibility needs.

This event content is equivalent to 1 AIA/CES total learning credit, 1 total credit earned. AIA. Please contact events@arch.columbia.edu for more information.

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Palestine Is Throwing a Party and the Whole World Is Invited | A Talk with Kareem Rabie and Wassim Ghantous
Jan
24
1:00 PM13:00

Palestine Is Throwing a Party and the Whole World Is Invited | A Talk with Kareem Rabie and Wassim Ghantous

Join the Center for Palestine Studies for a talk with Kareem Rabie and Wassim Ghantous about Rabie's new book, Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank (Duke Press, 2021).

About Palestine Is Throwing a Party and the Whole World Is Invited:
In 2008, Palestinian Prime Minister Salam Fayyad invited international investors to the first-ever Palestine Investment Conference, which was designed to jump-start the process of integrating Palestine into the global economy. As Fayyad described the conference, Palestine is “throwing a party, and the whole world is invited.” In this book Kareem Rabie examines how the conference and Fayyad's rhetoric represented a wider shift in economic and political practice in ways that oriented state-scale Palestinian politics toward neoliberal globalization rather than a diplomatic two-state solution. Rabie demonstrates that private firms, international aid organizations, and the Palestinian government in the West Bank focused on large-scale private housing development in an effort toward state-scale economic stability and market building. This approach reflected the belief that a thriving private economy would lead to a free and functioning Palestinian state. Yet, as Rabie contends, these investment-based policies have maintained the status quo of occupation and Palestine's subordinate and suspended political and economic relationship with Israel. Read more

You can order the book from Duke (or, outside of North America, from CAP) for 30% off with code E21RABIE.

Kareem Rabie is Assistant Professor of Anthropology at The University of Illinois, Chicago. His work focuses on privatization, urban development, and the state-building project in the West Bank.

Previously he was Assistant Professor of Anthropology at American University in Washington, DC; Harper-Schmidt Fellow at the University of Chicago; and Marie Curie Fellow/Senior Researcher at the University of Oxford Centre on Migration, Policy, and Society (COMPAS). 

Kareem spent 2020-2021 on research leave supported by the ACLS, the Wenner-Gren Foundation, and the Graham Foundation for Advancement in the Fine Arts, and was a visiting fellow at CUNY’s Center for Place, Culture, and Politics; and Committee on Globalization and Social Change. Visit Kareem’s website.

Wassim Ghantous is the Ibrahim Abu-Lughod Fellow at the Center for Palestine Studies, Columbia University. While at CPS Wassim is working on his book manuscript, The Rise of the Israeli War Machine: Palestinians’ Encounters of Spectral Violence, Destructive Velocities, Intensive Elimination. The book explores the increasingly diffused operations of the contemporary Israeli regime of colonization in rural areas of the West Bank – the “frontier zone” – and the ways in which Palestinians develop sumud (steadfastness) maneuvers to evade this diffused regime. Read more.

Wassim completed his Ph.D. in Peace and Development Studies at the University of Gothenburg, Sweden, in 2020. In 2020-21 he was a postdoctoral fellow in the Space and Political Agency Research Group (SPARG) located at the Faculty of Management and Business at the University of Tampere, Finland. SPARG is part of the Academy of Finland Center of Excellence in Research on the Relational and Territorial Politics of Bordering, Identities and Transnationalization. Previous to his academic career, he worked in several Palestinian and Israeli human rights organizations, most notably at the BADIL Resource Center and B’Tselem.

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