Hanan Ashrawi: A Woman of Her Time

 

About the Film

In the stormy aftermath of the peace accord signed between Israel and the PLO, Palestinian spokeswoman Hanan Ashrawi emerged as a formidable negotiator and a persuasive voice on the international stage. But beyond the polished rhetoric and the public poise, what drives the 47-year-old mother of two whose high profile and personal integrity have made her enemies as well as friends?

 
 
 

Mai Masri & Jean Chamoun -- 50', Arabic with English Subtitles (Lebanon/Palestine: 1995)

 

Happy Days

 

About the Film

Happy Days exposes everyday Palestinian life under Israeli occupation. In the video, a collage of footage shot on location in the occupied territories is accompanied by the theme music from the 70s sitcom Happy Days.

The idea is to subjugate international politics to a format normally associated with entertainment and thereby call attention to the blurry boundary between the two.

 
 
 
 

Larissa Sansour -- 3’ (Palestine: 2006)

Heaven Before I Die

 

About the Film

A tale of life and love unfolding in Toronto where the handsome but sheltered Jacob arrives from Palestine. Culture shock sets in when Jacob is taken under the wing of petty thief and the beautiful Selma. When the young man's innocence meets the realities of modern life chaos ensues love fills the air and a special magic begins. Co-starring Omar Sharif with special appearances by Joe Bologna and Burt Young.

 
 
 

 

Izidore Musallam -- 98' (Canada: 1997)

Her Story (Qissatuha)

 
 
 
 
 

Suha Arraf -- Documentary (Palestine: 2000)

Homage by Assassination (Segment in “The Gulf War: What Next?”)

 

ABOUT THE FILM

This is the fifth part of the collective film titled Gulf War, What Next? It films a Palestinian man reflecting on the war in the Persian Gulf and on the related media coverage. The man is the filmmaker himself, cloistered in his claustrophobic studio in New York as Nazareth, his native city, and is threatened by the Iraqi Scud missiles launched against Israeli cities, during the Iraqi-Persian War. This short diary-report style film follows up the routines of Suleiman's day that he performs: He ties his bootlaces, boils milk on the stove, observes from the window a couple's quarrel in the street, weighs himself repeatedly on the scale, goes to the bathroom, makes phone calls and works on editing his film.

 
 
 
 

Elia Suleiman -- 27’ (Palestine/Tunisia/US: 1992)

Human Shield Theory

 

ABOUT THE FILM

A short film about becoming a human shield and about one's reasons for taking up what might appear as another people's battle.

 
 
 
 

Leila Sansour -- 6' (Palestine/UK: 2003)